Style Meaning

/staɪl/
A1

Definition, CEFR level A1, pronunciation, examples, and quiz.

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nounSenses relating to a thin, pointed object.

nounSenses relating to a thin, pointed object., A sharp stick used for writing on clay tablets or other surfaces; a stylus; (by extension, obsolete) an instrument used to write with ink; a pen.

Your essay is admirable in regard to style.
As long as you stick to one style, you can't hit upon a wonderful idea.
She prefers a simple, elegant style of clothing for work.
Synonyms:
Antonyms:
None
CEFR Practice Quiz
Her unique ____ of painting always uses bright colors and thick brushstrokes.
CEFR Practice Quiz (Alternate)
She has a very unique and personal ____ of dress that reflects her creative and artistic personality.

The noun is derived from Middle English stile, stel, stele, stiel, stiele, stil, still, stille, styele, style, styill, styll, styyl (“writing tool, stylus; piece of written work; characteristic mode of expression, particularly one regarded as high quality; demeanour, manner, way of life; person's designation or title; stem of a plant; period of time”) (compare semantic development to по́черк (póčerk, “handwriting, style”)), from Old French style, estile, stil, stile (modern French style), or from Medieval Latin stylus, both from Latin stilus (“pointed instrument, pale, spike, stake; writing tool, stylus; act of setting down in writing, composition; characteristic mode of expression, style; stem of a plant”), from Proto-Indo-European *(s)teyg- (“to be sharp; to pierce, prick, puncture, stab; to goad”). Doublet of stylus. The English word is cognate with Catalan estil (“engraving tool, stylus; gnomon; manner of doing something, style; fashionable skill, grace”), German Stiel (“handle; stalk”), Italian stilo (“needle, stylus; fountain pen; beam; gnomon; part of pistil, style”), Occitan estil, Portuguese estilo (“writing tool, stylus; manner of doing something, style”), Spanish estilo (“writing tool, stylus; manner of doing something, style; fashionable skill, grace; part of pistil, style”). The verb is derived from the noun.

"Thus while his Thoughts the lingring Day beguile, / To gentle Arcite let us turn our Style; [...]" — 1700, [John] Dryden, “Palamon and Arcite: Or, The Knight’s Tale. In Three Books.”, in Fables Ancient and Modern; […], London: […] Jacob Tonson, […], →OCLC, book II, page 26:
"From Job xix. 24. it appears to have been usual in his day, to write or engrave upon Plates of Lead, which might easily be done with a Pen, or Graver, or Style of Iron, or other hard metal." — 1821, James Townley, chapter I, in Illustrations of Biblical Literature, Exhibiting the History and Fate of the Sacred Writings, from the Earliest Period to the Present Century; […], volume I, London: Printed [by B. Crompton] for Longman, Hurst, Rees, Orme, and Brown, […], →OCLC, part I (From the Giving of the Law to the Birth of Christ), page 27:
"Laſt of all fit a Triangular Iron, whoſe angular point being laid to the Center of the Dyal Plane, one ſide muſt agree with the Subſtilar Line, and its other ſide with the Stilar Line; ſo is the Stile made. And this Stile you muſt erect perpendicularly over the Subſtilar Line on the Dyal Plane, and there fix it. Then is your Dyal finiſhed." — 1697, Joseph Moxon, “Operat[ioni] II. To Describe a Dyal upon a Horizontal Plane.”, in Mechanick Dyalling: Teaching any Man, though of an Ordinary Capacity and Unlearned in Mathematicks, to Draw a True Sun-dial on any Given Plane, […], 3rd edition, London: Printed for James Moxon, […], →OCLC, page 17:
"The calyx of Theophraſta is a ſmall, permanent perianthium, divided into five obtuſe ſegments, making obtuſe angles alſo with one another: [...] the ſtyle is ſubulated, and ſhorter than the corolla: the ſtigma is acute." — 1751, John Hill, A General Natural History: Or, New and Accurate Descriptions of the Animals, Vegetables, and Minerals of the Different Parts of the World; […], London: Printed for Thomas Osborne, […], →OCLC, page 268:
"May I not vvrite in such a ſtile as this? / In ſuch a method too, and yet not miſs / Mine end, thy good? vvhy may it not be done?" — 1678, John Bunyan, “The Author’s Apology for His Book”, in The Pilgrim’s Progress from This World, to That which is to Come: […], London: […] Nath[aniel] Ponder […], →OCLC:

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CEFR Practice Quiz
Her unique ____ of painting always uses bright colors and thick brushstrokes.
CEFR Practice Quiz (Alternate)
She has a very unique and personal ____ of dress that reflects her creative and artistic personality.

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