How do you use the word "conception" in a sentence?

Q: How do you use the word "conception" in a sentence?

Here are real-life examples of using "conception": Tom has no conception of what it's like to be in love. Tom had no conception of what fatherhood entailed.

Conception Meaning

/kənˈsɛpʃən/

Definition, CEFR level B2, pronunciation, examples, and quiz.

Definition

nounThe act of conceiving.

nounThe state of being conceived; the beginning.

Sentence Examples

Tom has no conception of what it's like to be in love.

Tom had no conception of what fatherhood entailed.

Synonyms & Antonyms

Synonyms:

concept construct creation

Antonyms:

misconception

CEFR Practice Quiz

The ancient ____ of the universe placed Earth at its center.

CEFR Practice Quiz (Alternate)

Her initial ____ of the art project completely changed over time.

Word Origin & History

Etymology tree Proto-Indo-European *ḱe? Proto-Indo-European *ḱóm Proto-Italic *kom Proto-Italic *kom- Latin con- Proto-Indo-European *kap- Proto-Indo-European *-yéti Proto-Indo-European *kapyéti Proto-Italic *kapjō Old Latin kapiō Latin capiō ▲ Ancient Greek σῠλλᾰμβᾰ́νω (sŭllămbắnō)calq. Latin concipiō Proto-Indo-European *-tis Proto-Indo-European *-Hō Proto-Indo-European *-tiHō Proto-Italic *-tiō Latin -tiō Latin conceptiōlbor. Old French conceptionbor. Middle English concepcioun English conception From Middle English concepcioun, borrowed from Old French conception, from Latin conceptiō (“a comprehending, a collection, composition, an expression, also a becoming pregnant”), from concipiō, past participle conceptus (“conceive”); see conceive. Equivalent to conceive + -tion.

Literary Quotations & Historical Citations

"Some powers diuine, or els infernall, mixt Their angry ſeedes at his conception: For he was neuer ſprong of humaine race, Since with the ſpirit of his fearefull pride, He dares so doubtleſly reſolue of rule." — c. 1587–1588 (date written), [Christopher Marlowe], Tamburlaine the Great. […] The First Part […], 2nd edition, part 1, London: […] [R. Robinson for] Richard Iones, […], published 1592, →OCLC; reprinted as Tamburlaine the Great (A Scolar Press Facsimile), Menston, Yorkshire; London: Scolar Press, 1973, →ISBN, Act II, scene vi:

"What the school books say about the united efforts of the two great Rossums is all a fairy tale. They used to have dreadful rows. The old atheist hadn't the slightest conception of industrial matters, and the end of it was that young Rossum shut him up in some laboratory or other and let him fritter the time away with his monstrosities, while he himself started on the business from an engineer's point of view." — c. 1921 (date written), Karel Čapek, translated by Paul Selver, R.U.R. (Rossum’s Universal Robots): A Fantastic Melodrama […], Garden City, N.Y.: Doubleday, Page & Company, published 1923, →OCLC, Act 1:

"Elegant brick and stone buildings, with iron and glass canopies and decorative wooden scalloping and fencing—all evidencing care on the part of the architect to produce a pleasing, well-planned building—were submerged beneath a profusion of ill-conceived additions and camouflaged by vulgar paint schemes; and the original conception was lost." — 1962 October, Brian Haresnape, “Focus on B.R. passenger stations”, in Modern Railways, pages 250–251:

"The figure was placed on a low pedestal, sufficiently raised from the carpet on four plain wooden legs for all the space underneath to be clearly visible. The body was a squat, cross-legged conception, typical of an Indian deity […]" — 1923, Ernest Bramah, The Eyes of Max Carrados:

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