"He is so fayre, withoutten les, / he semys full well to sytt on des."
— 15th c., “[The Creation]”, in Wakefield Mystery Plays; Re-edited in George England, Alfred W. Pollard, editors, The Towneley Plays (Early English Text Society Extra Series; LXXI), London: […] Oxford University Press, 1897, →OCLC, page 5, lines 120–121:
"This were as good as curds for our Jone, / When at a night we ſitten by the fire."
— 1593, Michael Drayton, “The Eighth Eglog”, in Idea the Shepheards Garland, […], London: […] [T. Orwin] for Thomas Woodcocke, […], →OCLC, page 64:
"So saying, she sate down at a little distance upon the bench on which Allan M‘Aulay was placed, and tuning her clairshach, a small harp, about thirty inches in height, she accompanied it with her voice."
— 1819, Jedediah Cleishbotham [pseudonym; Walter Scott], chapter VI, in Tales of My Landlord, Third Series. […], volume III (A Legend of Montrose), Edinburgh: […] [James Ballantyne and Co.] for Archibald Constable and Co.; London: Longman, Hurst, Rees, Orme, and Brown, […]; Hurst, Robinson, and Co. […], →OCLC, page 274:
"[…] and I am old enough to remember how often I have seen the beautiful Duchess of Devonshire, about eight in the morning (when I was at Bath in 91 or 92), returning from the parade, where she had sate up the live-long night with her sister, Lady Duncannon; it can therefore be no disgrace to appear as if you felt for your daughter."
— 1842, [anonymous collaborator of Letitia Elizabeth Landon], chapter XXV, in Lady Anne Granard; or, Keeping up Appearances. […], volume II, London: Henry Colburn, […], →OCLC, pages 24–25:
"[…] And easy, smiling, seasoned sound, / Sate the king when healths went round."
— 1896, A[lfred] E[dward] Housman, “[Poem] LXII”, in A Shropshire Lad, New York, N.Y.: John Lane Company, The Bodley Head, published 1906, →OCLC, page 94: